Author: LARA ARTIST DESIGNER MAKER

If I could develop anything further a result of the field rotation I would want to develop on the pinhole project, it would have been nice to be able to have more time in order to experiment with the doodling in the dark room further, pushing it to see if there would be scope for any more development on the idea, I would also want to design adaptations to the pinhole to enable the camera to capture changes in the shapes of the pinhole.

I now think light is a very important aspect of all design whether it is a direct result of the light or incorporating light into a composition, this has allowed me to focus on the qualities that light give, for example in creating an atmosphere and mood, as well as using it to explore a technique and inspiring a sculptural form.

I think as a maker I was very open minded to how other disciplines would approach themes and wanted to learn and adopt different working methods form these disciplines to allow my work to develop in a way that shows understanding of cross discipline ideas.

Our task is to make a collage of images to portray a space using juxtaposing ideas, as a group we where given peaceful and aggressive. These we mind mapped to unpack the meaning of these two very different words we came up with words associated with the meanings and the way the words made us feel.

AGGRESSIVE: dark, reds, textures, noise, large, sharp, angular pointy, messy.

PEACEFUL: calm, quiet, soft, lines, whites, bare, clean

We wanted these collages to portray the feelings associated with the word. We wanted them to feel as if you where looking inside the room because of this we decided to create a 3D composition so when photographed it’s as if you are inside the room. We wanted to use a collection of found images and materials to layer inside the boxes.For the aggressive room we found colours associated with aggression where black and red, we went with this and wanted to incorporate red light into the design this is so that the room would become an intense red colour so that if you were in this room you would feel aggression, we did this by creating a canopy that sits over the box that we used with red film and when the light comes through, intense strobes of red enter the room. We also wanted scratchy corrugated textures to be incorporated into the design, this is because we felt scratches where an aggressive texture. This we intensified using Photoshop to manipulate the contrast.

Whereas with the peaceful room we wanted to create a welcoming environment that makes the viewer feel calm and relaxed by using soft furnishings and textures and light colours. with this we then edited the image on Photoshop and softened the edges as well as add some yellow hues and contrast to make the room feel warmer.

Working with interiors is something totally new to me and it was a valuable experience to be able to build and design a composition with the help of people from that discipline. As a maker I was able to place my practical skills in making the rooms and editing using my basic Photoshop skills. I enjoyed this collaboration the most, there was only three of us in the group two makers and one interior, this enabled us to be freer with incorporating ideas and sharing knowledge, something that is harder to achieve in a large group environment.

Our task was to explore light through the use of a pin hole camera, we started by constructing the camera from a tin. As discussed as a group we where keen to mind map a range of ideas for how we could capture the images.

One of the ideas was to obscure the shape of the pin hole, in reality we found this a challenging concept to get the hang of as when we were constructing it, we found we were letting too much excess light into the camera, this would cause the images to be overexposed. Therefore, we found the best option was for us to explore the pin hole using the traditional method.

We started the focus on landscapes to explore the technique involved in the pin hole, but found the images where not very inspired and had no focus or direction so we wanted to capture portraiture as this allowed for more interesting compositional change.

we also explored landscapes this lead to an issue… we left the camera for a long exposure shot when we went back to the camera it was gone, this meant the remaining photos had to be taken on a demo pin hole camera so where we had previously found an ideal exposure length we had lost this so it took us a fair amount of time to refined the correct exposure this turned out to be 7 mins in the photography room with all the lighting.

We wrote the timings on the back of the photos so we could refer back to them, while developing the images we noticed the writing was also developed causing an accidental doodle layer effect on to the images. We went with this and explored it further causing some effective outcomes that we transferred to postcards.

We documented our processes and photographs in order to be used to create the ornamented reality using the HP reveal app. Using trigger photos to set the video into motion. We found we wanted to approach this video as a technical demonstration of the dark room and pinhole process.

TRIGGER PHOTO

As this was my own subject area, I found the transition into the work was very smooth and I felt I was able to advise non-makers with previous skills I had acquired from this course previously, as this was the case, I also found imputes from other members interesting as some of the ideas I would not have considered. I found this collaborative task interesting as we were able to become very experimental in such a limited time through trial and error and experimentation. The main point of change was from when we decided to focus on portraiture, then one we had direction and the happy mistake we were able to spend a day developing and exploring this technique further in the dark room.

The project involved Exploration into shadow and light. We started by exploring shadow through drawing, as a group we found objects to cast obscured shadows. We found common themes of spikes and overlapping caused by the use of a book as well as the human form causing shadow.

We where told our next task was to translate these drawings and sketches as a group into sculptural forms using the slab building method.

We decided our focus for this would be for us to collaborate our drawings into a constellation where we combine both these spiked angular forms with the more organic human shapes.

We decided to make to the forms hang from an extruded length of clay and have the spiky forms sitting underneath the feet.

During our presentation of our work I felt we clearly explained how we approached the task as well as conclude our work to this outcome.

I found this group collaboration challenging, as multiple opinions and imputes made it hard for us to come up with an agreed theme with our work. Also, different working methods became evident and flexibility with ideas and concepts where a necessary part of this group work for the project to flow smoothly.

Working within this discipline with the knowledge and skills already gained through maker I was able to contribute to the decision making and creative side of the task, although I have very little knowledge on clay, I was able to adhere these to the task using basic slab building methods. It was interesting to see how other disciplines approached the task somewhere more hands on with three-dimensional work and some less so. I found this rotation challenging in terms of collaborating everyone’s ideas into one outcome, this was challenging to do as collectively we had big differences in the way disciplines work, as soon as we sorted those issues then we were able to work effectively and efficiently. We developed our ideas initially through drawing medium, this came pretty naturally to the group, transferring these ideas into paper maquettes became the challenging part, as some of the group found it hard to visualise the 2D light inspired drawings into 3D outcomes.

final outcome

Reflecting on this light project task, I have enjoyed the challenge of having limited materials, therefore undertaking the task was fairly challenging but I found my outcome successfully uses tracing paper to construct a working light with smart potential.

Overall I enjoyed this light project and am excited to continue on the theme of light and start to use cross disciplinary methods to experiment with other subject areas and working as part of a team.

This will hopefully expand my skill set and allow me to improve my group working. the rotation I am most looking Forward to collaborating with is the interior design, this is something I have not yet had a go at and am excited to see what its about and work with people from that discipline.